Rhinoceros – Almeida Theatre, London ★★★★☆
Omar Elerian returns to the Almeida and to Eugène Ionesco, translating and directing Rhinocerous following his success with The Chairs…
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Lizzy Skrzypiec on Murder, She Didn’t Write
The improvised whodunit and Edinburgh Festival Fringe regular, Murder, She Didn’t Write, is currently making its way around the country…
Peta Maurice on The Detective Dog
A stage adaptation of Julia Donaldson and Sara Ogilvie’s best-selling children’s book The Detective Dog has set off on tour…
Eimhin Fitzgerald Doherty on The Brightening Air
Eimhin Fitzgerald Doherty has quickly made an impression in the theatre world making his professional stage debut playing the role…
Animal Farm review – Leeds Playhouse ★★★★☆
How many adaptations of George Orwell’s Animal Farm do you need? Last year saw Ian Wooldridge’s version tour Bolton, Hull…
Joe Sellman-Leava on It’s The Economy, Stupid!
It’s the Economy, Stupid!, is currently on the road for its second UK tour having kicked off its run in…
Tamsin Flower on Back to Terra Firma
Back to Terra Firma’s upcoming run at Theatre503 marks the first run of writer and director, Tamsin Flower’s work in…
Kim’s Convenience review – Leeds Playhouse ★★★☆☆
Kim’s Convenience has enjoyed a longer life than may have been predicted for it. Starting out at Toronto Fringe in…
Chris Fung on The Society for New Cuisine
In the debut play by East-Asian writer and performer Chris Fung, a man with questions following a break-up discovers a…
Of Mice and Men review – Hull Truck ★★★★☆
Modern readers have been increasingly less forgiving of the sexist and racist slurs that reflect the period in the classic…